Yeang鈥檚 theme song on the karaoke stage is Frank Sinatra鈥檚 Young at Heart, which seems appropriate, given how much he packs into his life. On top of designing the green skyscrapers that have made him world famous with his practice TR Hamzah and Yeang, the 51-year-old is by turns an author, professor, marketing student and full-time traveller. Such is his flying schedule (300 000 miles a year) that he collects enough air miles to travel first class between London and Kuala Lumpur every year.
There have been plenty of opportunities for Yeang to make the journey from Asia to Europe of late. Since joining the Southwark Land Regeneration team, one of three bidding for the 拢500m redevelopment of London鈥檚 Elephant & Castle, he has been adding his customary energy and ideas to one of the capital鈥檚 major regeneration schemes.
The winner will be picked at the end of the month. And if his team鈥檚 bid is successful, it will be something of a homecoming for Yeang, who describes his childhood as a 鈥渃lassic British upbringing鈥. Sent to Cheltenham College for Boys at 13, he went on to study at Cambridge University. He calls England his second home 鈥 two of his sisters live here and he owns a house in East Finchley.
Yeang is excited at the prospect of working in the UK. 鈥淚n the Far East, you are always dealing with developers who are trying to cut costs,鈥 he sighs. He also thinks there are more skills in the UK. 鈥淭here is a shortage of professions in the Far East. The best consultants in the world 鈥 Arup, Battle McCarthy, the University of London 鈥 are within a stone鈥檚 throw of each other here.鈥
The prospect of future work in the UK seems good. As well as the Elephant & Castle opportunity, Yeang has signed a formal agreement with HTA Architects (also on the Southwark Land Regeneration team) to seek residential work. 鈥淲e think his time has come,鈥 says HTA director Ben Derbyshire, who describes him as 鈥渁n incredibly likeable man鈥.
Yet Yeang鈥檚 affable manner hides real drive. The disadvantages of working in South-east Asia, which include the tempestuous economic conditions, seem to have inspired him. 鈥淚f people ask me what it鈥檚 like to be an Asian architect, I say you have to over-achieve to be recognised,鈥 he says. 鈥淚f you tell people you are from Malaysia, they see you as a Third World architect.鈥
That is far from the perception that currently surrounds Yeang. Having incorporated environmental ideas and research into early projects, such as his own Roof-Roof house in Kuala Lumpur, which features a louvred roof that acts as a solar filter, he decided to tackle the structure probably considered the most wasteful in the modern world: the skyscraper.
If people ask me what it鈥檚 like to be an Asian architect, I say you have to over-achieve to be recognised
His more recent projects, such as the international award-winning Menara Mesiniaga office block in Kuala Lumpur and the mixed-use MBf Tower in Penang, have started to change the perception of tall buildings. The environmental ideas 鈥 minimising energy use, creating microclimates inside the buildings 鈥 were matched by a style that was more informal and expressive than that of the typical modern skyscraper.
The Yeang approach is a knowledge-based one, which he thinks will be crucial in the coming century. 鈥淵ou have to have the figures,鈥 he asserts. 鈥淎 low-energy building has to use less than 100 kilowatt hours per square metre per annum. It鈥檚 an index you can design to. If you don鈥檛 have those criteria, it鈥檚 like a moving target.鈥
Knowing your watts per hour doesn鈥檛 restrict the design, though, he says. 鈥淵ou take those knowledge-based aspects and interpret them poetically.鈥 And Yeang is realistic about the results. 鈥淚t鈥檚 not going to work 100% 鈥 things change, that鈥檚 what life is. If it鈥檚 100% hunky-dory, you are building a box.鈥
Yeang is buzzing with ideas, most of them dreamed up while he soars through the air on his way to another destination or, bizarrely, while he reads his extensive collection of Japanese modern comics. 鈥淚 have 12 hours on a plane to myself to think things I want to,鈥 he says of his flights.
Many of his ideas continue the ecological theme. He is preparing a working paper for the RIBA on sustainability, and is also producing a concept of landscaped bridges that could take over from roads by linking buildings. 鈥淩oads cut up ecosystems into 20 000 bits,鈥 he says. 鈥淎 good design can have a positive impact on the environment 鈥 you can enhance it.鈥
Married to this environmental zeal is Yeang鈥檚 flair for marketing. 鈥淚鈥檓 probably one of the best marketing men around,鈥 he says. He picked up his sales patter selling encyclopedias in London during his student days. He has also studied marketing. 鈥淢ost architects are very bad at marketing, except the Americans, who are terrific. When you become a corporate business, it is much more professionally done.鈥
With his hectic schedule 鈥 in Yeang鈥檚 world, flying is a form of relaxation 鈥 he has little time to rest on his laurels. Asked to pick out his favourite building from his collected output 鈥 he has completed 12 skyscrapers to date 鈥 he responds: 鈥淭hat鈥檚 like asking a mother with lots of children which one she likes best. She would say, 鈥業 love all of them, but in different ways鈥.鈥