好色先生TV

The Serpentine Gallery lost close to 拢430,000 on Chilean architect Smiljan Radi膰鈥檚 2014 summer pavilion, BD can reveal.

According to its latest set of accounts filed by the Serpentine Trust with the Charities Commission, the pavilion was sold for 拢450,000 to the Hauser & Wirth gallery at Bruton in Somerset and netted a further 拢70,000 in sponsorship.

But the accounts, which cover the year to March 2015, show that the design and build cost of the scheme was 拢968,000 鈥� 拢432,000 more than it recouped in the sale and sponsorship.

The figure is close to half of what the pavilion cost to build but a Serpentine spokesman said: 鈥淭he idea for the pavilion has always been to open up architecture to the widest possible audience and we want people to come into and experience the pavilion from world-renowned designers without being subject to a ticket price. As such we do not look to make a profit. The pavilion project is a famously tight turnaround with only six months from concept to delivery.

鈥淭he Serpentine is a charity, we get around 15% of our funding from the Arts Council and we have to raise the rest ourselves. Included in this is to recoup some of the expense by selling the pavilion after the exhibition.鈥�

Radi膰鈥檚 350sq m pavilion took the form of a delicate fibreglass cocoon resting upon a ring of stones set in a sunken bowl and was intended to explore the relationship between sculpture and architecture. The direct build cost came to almost 拢650,000.

The total losses from Radi膰鈥檚 pavilion were more than double the near 拢189,500 loss the gallery posted by staging Japanese architect Sou Fujimoto鈥檚 pavilion design in 2013. This was sold for 拢500,000 and attracted 拢140,000 in sponsorship. It cost a total of 拢838,682 to design and build.

Last year鈥檚 Serpentine Pavilion has been bought by Second Home, the firm that gave its architect, Spanish practice SelgasCano, its first London job.

The UK company, which provides workspace for creative start-ups, paid more than 拢500,000 for the multi-coloured chrysalis and will reopen it in a Los Angeles park this summer as a venue for performances and visual arts.

Introduced by retiring Serpentine co-director Julia Peyton-Jones in 2000, the pavilion programme will expand this year with Bjarke Ingels鈥� practice BIG chosen to design the main pavilion.

Along with the main 300sq m pavilion, four pop-up summer houses are also planned and will be designed by Asif Khan; veteran Hungarian-born, Paris-based Yona Friedman; Berlin and New York鈥檚 Barkow Leibinger; and former OMA architect Kunle Adeyemi from Nigeria.