好色先生TV

While many people turned up to Ecobuild looking for new technology, some very old build practices attracted quite a crowd.

Drawn, perhaps, by the smell of freshly cut green oak, a bevy of people, always slow moving and curious, hovered around the Defra-sponsored natural-materials stand.

There, carpenters Jasper Emanuel and Joel Hendry and earth architects and builders, Jill Smallcombe and Jackie Abey showed off natural building methods.

People marvelled at the shine on the linseed-oiled, beeswaxed, interlocking earth tiles and the variety of colours and textures and at the sheer weight of the earth and straw mix (cob) blocks.

Discussions were to be heard about Hendry鈥檚 fantastic, deep-pocketed German carpenters trousers and a couple engaged Emanuel in an earnest discussion about building one of his timber frame constructions for a conference stand in the future. It may have been a demo, but the mud on Abey鈥檚 boots was and the sweat on Emanuel鈥檚 brow was real enough.

Making cob buildings

好色先生TV a cob structure in the Abey Smallcombe manner seemed simple enough. You mix together your earth and straw and then you jump up and down on it (or drive a tractor over it) to get all the water out.

First you build a knee-high limestone wall 鈥� your cob can鈥檛 touch the ground, then you start placing a forearm-length-high layer (called a lift) on it so it overhangs slightly and the water can run off. Then you chop off the edges with a mattock or shovel 鈥� down so the straw can help with the flow of surface water as well and progress around in a spiral. You have to leave a week for each lift to dry (this was not part of the demonstration) and you have to make sure it doesn鈥檛 rain too hard. (The weather in Earl鈥檚 Court arena was set fair.) The practice seems easy as (mud) pie and no doubt many were itching and plotting to get back home and start digging up their veg patch. The simplicity, and naturalness of cob building and oak carpentry had caught the imagination of those who鈥檇 come to see what the construction industry could do for them but perhaps left wondering what they might do for the construction industry.

Emanuel said: "There are a lot of shiny things around here. But they can鈥檛 see the inside of the technology. They come here to see bits of wood flying. They love it."

He and Hendry are using hand tools where they would normally use power tools in the workshop. They shape their green oak pegs (green oak is softer, living wood is up to 45% water) on a wooden handmade shaving or draw horse, with a foot-operated clamp. Long, thin, oblong blocks are gradually rounded by shaving ever-thinner corners away, creating a round peg. Like the cob making, it looks simple. Making the massive timber joists with a mallet and chisel looks a bit trickier, I grant you, but nothing you can鈥檛 do with a bit of practice.

It鈥檚 easy to confuse simplicity with easiness; it鈥檚 a fair bet that few attendees, appetites whetted, would be able to create a timber frame of the elegance of that on the stand.

And Abey Smallcombe鈥檚 shelters, stands and sculptures have a beauty all of their own, especially the gothic arched seat with limestone was. They were both artists first of all, after all even if the pair have carried out construction projects for organisations, such as Sustrans and the Eden Project.

People come over here to see some wood fly

Trouble with mud

But what if it rains on your mud house? Abey points out that her cob house in Drewsteignton, near Exeter, is over 500 years old. There are over 400,000 cob buildings in the South West of England and over a third of the world鈥檚 population lives in earth buildings. It doesn鈥檛 take a minute to figure that the material鈥檚 sustainability credentials are second to none. It鈥檚 natural and sun dried and abundantly available.

Recyclability? The joy of it is if you don鈥檛 like what you鈥檝e done, you just knock it down, Abey says. Snagging? If you forget to put a window in where you鈥檇 meant to, you just knock it through with a sledgehammer.

In terms of social sustainability, creation of both timber and cob houses used to be a community event, probably by necessity. It took a village to jump up and down on cob to squeeze the water out and the timber frames needed many men to hoist them into the vertical.

But just because the technology is old doesn鈥檛 mean there aren鈥檛 advances to be made. Although oak is being worked on the stand, Emanuel is keen to extol the virtues of Douglas fir. It鈥檚 lighter than oak for one thing, he says, and it鈥檚 grown and well-managed in the UK, particularly the West country. What鈥檚 more, it鈥檚 half the price of oak. Abey and Smallcombe鈥檚 experimentation with tints and shape keep their technology moving forward.

One consequence of the sustainable construction revolution, promised or actual, is that traditional materials such as these as well as straw bale building and wool insulation moving back into the mainstream. Earl鈥檚 Court Arena, spiritual home of the Ideal Home Show, might just be the place for that.

Surviving material

Phil Woolas, environment minister, said he thought that brick and concrete would be a 鈥渢hing of the past鈥� in twenty or thirty years. He gave a thumbs up to hemp (while saying he had to be careful about how he phrased this.)

Natural materials, of course, are a product of agriculture and the Minister was no doubt thinking of increased local crop yields with glee. He may get his way. An by-product of forestry are wood pellets which can be used for biomass boilers. These are the most commonly specified renewable energy element in new schemes, according to the GLA鈥檚 climate impact head, Andy Deacon. UK tree cover has increased from 5-10% since 2000.

There was much talk of designing out complexity for the sake of sustainability at this year鈥檚 Ecobuild and there were no doubt many who went home thinking that, perhaps, the oldest way of putting up houses might be the best way of achieving that.