Engineer-turned-architect Hole and architect Gordon Wilson have designed a tropical greenhouse, the Brazilian Rainforest Pavilion, that eschews the self-conscious trickery of most Expo architecture. The 拢10m structure is a simple delight. From outside, it is a translucent bulging oval that peers out of the ground like a giant bug's eye. But inside, it plunges 10 m below the surface to house a miniature Brazilian rainforest. Although not part of the Expo 鈥 it is located in the city, rather than on the main Expo site 鈥 it has become known locally as the "Brazilian pavilion". Volkswagen, the building's main sponsor, is encouraging Expo visitors to stop off at the rainforest on their way to or from the exhibition. Hole says the car maker, whose head office is in nearby Wolfsburg, expects the building to be filled with visitors during the Expo.
While the exterior provides a strikingly alien image, it is only inside that the ingenuity of the design becomes apparent. Beyond the rainforest tree canopy there is almost nothing to get in the way of the daylight that floods in. Hole says this was made possible by cladding the roof in ETFE 鈥 a tough, see-through plastic whose most useful quality is its weight, or lack of it
The 1000 m2 surface of the roof is clad in strips of double-thickness ETFE foil. During installation, these are run up secondary steel supports, like sails. Once in place, air is pumped between the two layers, inflating them and forcing the edges of the foil to lock into seams on the steelwork.
Unlike conventional roofs, where the problem is how to support the weight, the main challenge with the ETFE roof is how to stop it flying away, says Hole 鈥 who now works for sports and leisure architect KSS but originally worked on the project for Tarmac Professional Services. Because the roof is so light, it can be supported by slight primary structural supports, adds Albert Taylor of structural engineer Adams Kara Taylor, which worked with Hole on the project. In fact, the roof is suspended from only three arches made from 457 mm diameter hollow steel tubes. The tubes are grounded at the corners of an equilateral triangle and arc sharply to almost meet at its centre, which is also the centre of the roof. The resulting structure looks sturdy from the outside but is barely noticeable from the inside. And, according to Taylor, ETFE structures weigh only 4% of those made from glass, which allow it to be used in huge 20 m spans.
ETFE looks like it might puncture easily, but Hole says the roof is tough enough to walk on and that the material, which is similar to Teflon, is resilient. ETFE also appears to be less transparent than glass, but Hole 鈥 an expert on conservatory design, having worked on the Princess of Wales building at Kew 鈥 refutes this. "More than 20% of light is lost in glass," he says. "With ETFE, the figure is 5%.
"We had the same question from the client when we proposed ETFE, so we carried out light tests. The light sensors used couldn't tell the difference between light intensity before and after it had passed through the ETFE." And anyone who has recently walked under the glass canopies of Canary Wharf Station on the Jubilee Line Extension in London will know that glass picks up grime quickly. This is not a problem with ETFE, says Hole. He explains that, unlike ETFE, glass has a microscopically rough surface that allows grime to grip to it. By contrast, particles cannot get a grip on ETFE. "They settle on it, but can be washed off easily," he says.
Rainforest
The exterior of Ray Hole and Gordon Wilson鈥檚 拢8.8m rainforest house in the centre of Hanover. Partly sponsored by Expo 2000, the conservatory is a permanent structure for a botanic garden, and is known locally as the Brazilian Pavilion. The interior has a concrete belvedere with a double-helix stair that affords visitors a wonderful view of the rainforest鈥檚 waterfall.The origin of the rainforest
In 1996, Herrenhauser Garten in Hanover 鈥 the equivalent of Kew Gardens in London 鈥 organised a competition for a rainforest conservatory. Ray Hole and Gordon Wilson, who together designed the Princess of Wales conservatory at Kew Gardens during the 1980s, entered the competition with structural engineer Adams Kara Taylor and won. The two architects, working for Tarmac Professional Services, came up with a 鈥渢riangular ovoid鈥 shape that fitted the site perfectly. Height restrictions meant that the conservatory could only have a few metres poking above the ground. Excavated earth from the site was deposited at the northern end of the building, allowing the canopy to be tilted to the south-west. The inside is based on New York鈥檚 Guggenheim Museum. Visitors enter at the base of the building and walk up a spiral footpath in the external wall to the top, where they exit. In the centre is a concrete chimney 鈥 actually a giant services duct that creates a conduit for air movement 鈥 but steel double-helix staircases and balconies makes the chimney into a belvedere.Credits
Client Herrenhauser Garten Client Volkswagen Client Cinemaxx Client Geo Client Expo 2000 Architects - UK Gordon Wilson, Ray Hole Structural Engineer - UK Adams Kara Taylor Services Engineer - UK TME Engineers Landscape Architect - UK Churchman Associates Quantity Surveyor - UK David Langdon & Everest Architect - German Bertrum Bunemann Partner Structural Engineer - German Tokarz Freichs Leipold Services Engineer - German HL-Technik Landscape Architect - German Martin Diekmann Main Contractor - German Hochtief Roof Cladding - German Rooftec Landscape Works - German Boymann