好色先生TV

Eighteen years after Factory Records went bust, and three years after its founder Tony Wilson鈥檚 death, the Factory is reborn. The legendary Manchester record label鈥檚 former head office has been reinvented as a nightclub called, you鈥檝e guessed it, The Factory.

This is no cheap nostalgia trip on the back of buried heroes. Peter Hook, founder member of Joy Division, which released Factory Records鈥� first album, and Aaron Mellor, former DJ at Factory-financed nightclub The Hacienda, joined forces to create the new club. What鈥檚 more, Ben Kelly, who designed the original head office for Factory, was brought in to craft the conversion.

The nightclub is one of the few good things to come out of the recession. When Factory Records went bust the building went through various incarnations, including a gay nightclub called Paradise Factory, before it was abandoned. The site was just about to be redeveloped as a hotel when the recession kicked in.

Credit: Kevin Cummins

The ground-floor bar.

鈥淚 thought it was quite sad as that was the last bit of the Factory and it was going to be knocked down, but there was nothing we could do as we didn鈥檛 own the building,鈥� says Mellor, a former QS with Shepherd Construction and now managing director of Tokyo Industries, which owns 15 nightclubs. 鈥淲hen it came back on the market it seemed too good an opportunity to miss.鈥�

For former New Order bass player Hook this was the realisation of a long-held dream: as back in 1990 he had tried to bid for the building at an auction. 鈥淗e wanted to buy it but there was a mystery bidder who had loads of cash,鈥� says Mellor. 鈥淭he bidding started at 拢60,000 and crept up to 拢120,000 鈥� he pulled out then as the building was basically just a shell. Afterwards he found out the buyer was Factory Records, who had bought it using New Order money.鈥�

The building was bought late last year and in just two months turned into the new club. Kelly says it wasn鈥檛 a physically massive job, but needed handling with care. 鈥淚t was an editing process. We had to decide what to strip out, what to keep and what to change,鈥� he says. 鈥淲e ripped out all this horrible stuff from when it was the Paradise Factory, opened up the entrance to the ground floor and added a first-floor DJ booth, which cantilevers over the entrance so you can see what is happening on the ground and first floors. We put in two stages on two floors and built some toilets 鈥� and there is a new colour scheme that refers back to the Factory without being too overt.

Getting the balance between old and new was the key challenge. 鈥淲e can鈥檛 be a museum piece; the tricky bit has been keeping the building鈥檚 heritage but keeping it up to date,鈥� says Mellor. 鈥淭ony Wilson would not have wanted it to reopen and wallow in the past.鈥�

FAC 481 to our friends鈥�

The Factory Records HQ had the catalogue number FAC 251, and the new club retains this number. For the uninitiated, the Factory system of numbering might need explaining 鈥�

Each album release received a number, but numbers were also given to everything from stationery to lawsuits to Tony Wilson鈥檚 coffin, which received the number FAC 501. Even 好色先生TV has its own number, FAC481, which was given to us by Tony Wilson when he guest-edited a Manchester special issue in January 2006.

Original print headline: Back to the floor