好色先生TV

For regular readers of 好色先生TV, the name Joseph Aloysius Hansom should be at least vaguely familiar. He is, after all, our most regular columnist, tirelessly reporting from industry events and maintaining a weekly supply of gossip, inside information and scurrilous rumour. Some may be aware that it was Hansom who founded this magazine, as The Builder, in the early Victorian era 鈥� which makes the fact that he consistently hits his deadline 120 years later all the more impressive. Others will know him as a prolific architect, most notably of Birmingham鈥檚 grand Roman-style town hall, still much loved and recently restored. And yet more will associate his name with the famous horse-drawn cab, without which the likes of Sherlock Holmes would have had the devil of a time finding their way around fogbound London.

All these achievements and more are exhaustively detailed in a biography by historian Penelope Harris, which may offer an interesting perspective on many of the dilemmas faced by Hansom鈥檚 modern counterparts. Whether you鈥檙e wondering how to get a foothold on the architectural career ladder, win major public sector projects, improve relations with your workforce, bounce back from the brink of disaster 鈥� or just want to keep unusual pets, Hansom was there first 鈥�

Hansom the wunderkind

Joseph Aloysius Hansom was born into a large Catholic family in York in 1803. The 鈥淎loysius鈥� was to distinguish him from a neighbouring cousin, demonstrating on the part of his parents both a lack of imagination when it came to naming children, and a fondness for slipping in the occasional wildcard. The second eldest of 10, Hansom left school at 13 with little formal education, yet 鈥渨as soon in a teaching role himself at night school鈥� 鈥� perhaps not the greatest advertisement for the late Georgian education system.

Hansom鈥檚 father, like his father before him, was a builder, and, keen to carry on the family tradition, he got his son an apprenticeship with a local architect. From there, Hansom鈥檚 rise was swift. At 21 he met and went into partnership with one Edward Welch, who at 18 was barely old enough to own his own top hat. Yet within six years, Hansom & Welch had landed one of the most prestigious architectural commissions of the 1830s: the town hall for the industrial boom town of Birmingham.

Hansom the opportunist

This at first seems puzzling. There were some big beasts prowling the 1830s building design scene. Both Charles Barry, who was just five years away from designing the Houses of Parliament, and Sir John Soane, the architect of the Bank of England, had submitted entries to the competition. But Hansom & Welch had one thing in their favour: an almost suicidal strategy to undercut every other bid by a massive margin. Their estimate of 拢16,648 was the lowest of all the entries received by 拢6,000. If the town hall commissioners were slightly suspicious of such a bargain, their anxieties would have been quelled by Hansom鈥檚 agreement to take full responsibility for the builders and act as financial guarantor for the project. What could possibly go wrong?

Hansom the bankrupt

Hansom was declared bankrupt in 1834. His ability to fund the town hall project had depended on the prompt delivery of supplies, which, in hindsight, should have deterred him from specifying rather a lot of marble from a quarry on an island off the north coast of Wales. Delays ensued, the money ran out and the commissioners decided to take the project out of his hands and place it into those of the Liverpudlian architect John Foster. Hansom鈥檚 increasingly drastic attempts to raise capital had included insurance policies taken out on his and Welch鈥檚 lives 鈥� a scheme that, one would imagine, may have disconcerted his partner. Whether or not this was a contributing factor, the relationship soon dissolved. If you were wondering why the name Edward Welch hasn鈥檛 echoed through the halls of history, he moved to the Isle of Man to design central heating works.

Hansom the radical

The Birmingham years also reveal another side to Hansom. 好色先生TV tends to depict him as a cross between Pitt the Younger and, well, Pitt the Elder, but to his contemporaries he was 鈥渢he socialist architect鈥�. In the early thirties, with the Great Reform Act still being thrashed out, unrest was never far from the surface in the great industrial centres. Rather daringly for a man who had promised to pay his builders with money he didn鈥檛 quite have to hand, Hansom encouraged his own workers to join unions. He even designed a guild hall for the fledgling builders union, placing a box beneath the foundations that declared a 鈥渃onfident hope of a new era in the condition of the whole of the working classes of the world鈥�. His commitment to the formation of the union was so great, says Harris, that it reached almost a spiritual level 鈥� he described it as 鈥渁 new life and a new light鈥�, something you rarely hear today鈥檚 construction professionals say about Ucatt.

Hansom the comeback kid!

Harris says it was 鈥渆motionally unacceptable鈥� for Hansom to remain in Birmingham after the town hall debacle, so he and his family decamped to Hinckley in Leicestershire. Hansom had married in 1825, and by this stage had several children. And a golden eagle, which he kept in the back garden.

Despite his financial setback Hansom had mouths and beaks to feed, so was soon designing again, including commissions for two local banks. And by the end of 1834 he had submitted patent number 6733 to the Patent Office. The first Hansom cab was built in Hinckley soon after and in 1836, the Safety Cabriolet & Two-Wheel Carriage Company was formed with capital of 拢100,000 鈥� nearly 拢4.5m in today鈥檚 money. By the end of the century, there were more than 7,000 Hansoms in London.

Hansom the man, however, preferred to concentrate on architecture, apparently reasoning that his legacy was more likely to be secured by such commissions as Lutterworth town hall or the Hinckley branch of the Leicester and Warwick bank. The only money he ever made from the invention that bore his name was the 拢300 the cab company gave him 鈥渇or his time and trouble鈥�.

Hansom, man of letters

Hansom鈥檚 inability to make any money was becoming a theme, and a lesser man may have been deterred from further ventures. Not Hansom. In 1842, having moved to London (staying in Barry鈥檚 house while he was overseeing the construction of parliament), he launched The Builder, a weekly journal with a strong whiff of social reform about it, which sought to 鈥渆ncompass the whole building trade and promote better communication between its parts鈥�.

The Builder was a diverse tome. A section called Our Sermon 鈥渄ealt with the relative duties of master and man鈥�; there were reviews of such publications as 鈥淔ather Oswald, a genuine Catholic story鈥� and 鈥淕eraldine, a tale of conscience鈥�; and there was a section for women readers, including such features as 鈥淭he English Maiden鈥� and 鈥淭he Ladies Work-Table Book鈥�.

Somehow the public resisted. Hansom estimated a potential readership of half a million, but by July 1844 sales were 3,000 and failing to cover costs. Only 41 and with nearly 40 years of ideas ahead of him, he handed the project to his printers JL Cox & Sons, and returned once again, to the drawing board 鈥�

Hansom鈥檚 Britain

When Joseph Hansom and The Builder parted ways in 1844, the architect had almost four decades of working life ahead of him. This period included much of the work that made him one of the leading figures of the gothic revival. From Preston to Plymouth, Hansom鈥檚 architecture can still be seen in schools, civic halls and particularly churches 鈥� the 19th century, which witnessed a vast influx of Catholic immigrants from across Europe, would have been full of possibilities for a firmly Catholic architect like Hansom. Here are a few of his finest surviving works:

• St Walburge鈥檚 church, Preston, which has the tallest spire of any parish church in England (1847-50, pictured)
• St Beuno鈥檚 college, St Asaph, Flintshire (1848)
• St George鈥檚 Catholic cathedral, York (1849)
• Plymouth Roman Catholic cathedral (1858)
• St Mary鈥檚 Priory, Fulham Road, London (1876)

The Architectural Achievement of Joseph Aloysius Hansom (1803-1882) by Penelope Harris is published by the Edwin Mellen Press